In 2007 Banksy goes to Palestine to paint on walls. Someone takes offense at a piece depicting an Israeli soldier checking a donkey's ID. A local taxi driver decides to cut it off and sell it back to the West. This is the story of the Palestinian perspective and reaction to street art through the work of its most celebrated hero. The story of an illegal black market of art stolen from streets around the world, cultures clashing in the face of an unsustainable political situation and finally of the changing perception on street art. It is not one story, but many. Like Banksy's art would be meaningless without its context, so the absence of it would be meaningless without an understanding of the elements that brought his artwork from Bethlehem to a Western auction house, along with the wall it was painted on.
这个低沉的旁白实在是让人出戏
主题杂糅的论文新闻片
2020-445
比士兵检查驴子证件更荒诞的,是巴以边境建立的西岸墙,墙堵住了路,人们看不到对面的天空。阿拉伯之春的涂鸦,展示在伦敦的商场。博洛尼亚的展览,引发了作者的抗议。切割是在保护艺术,还是抹杀自由。涂鸦应该束之高阁,还是任其斑驳。柏林的墙不是第一座,伯利恒的墙亦不是最后一堵,唯有艺术永恒。
太散了。但是那些曾经走过的街道真的太熟悉了,一点都没有变。最喜欢的是巴勒斯坦街头艺术家的rap,beatbox和歌。@面包面条面饼怒打断Q&A讲你的问题是什么,结束以后意大利人跑过来讲干得漂亮,值得记一笔。
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