选集列表
剧情简介
This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity. I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few). Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
观众心声
@酱油小圆子 虽然六十年代，不过69年就接近70了吧。这部铅黄电影如同网络小说改编，犯罪的壳内部是施虐和受虐，精神和肉体的双重控制，起初是赞美，之后是通过药物，话语贬低和暴力，还是很有看点的。
屌丝鸠占鹊巢，最后跟小情人双双归西
结尾几个反转太快了，不过很有趣
1969年的意大利电影偏执狂如同一面扭曲的镜子 映照出嬉皮士浪潮下中产阶级女性的困境与男性欲望的幽暗交织 导演翁贝托·伦齐以心理惊悚的棱镜 将性与权力欺骗与杀戮编织成一张致命的蛛网 在世纪末的迷幻氛围中撕开资本主义文明脆弱的表皮 艾琳的第一次谋杀（丈夫）是资本对婚姻制度的谋杀 保罗的第二次谋杀（合谋夺产）则是反叛者对体制的吞噬 但当遗产继承权因法律漏洞化为虚无 导演以车祸终结两个掠夺者 完成了对现代性贪婪的黑色讽喻。值得玩味的是 影片始终拒绝赋予女性复仇的救赎叙事 艾琳的偏执并非源自被害妄想 而是对系统性剥削的清醒认知 她的毁灭不是因疯癫 而是因无法在男性主导的法律与情欲游戏中找到生存缝隙 全员恶人都以贪得无厌的罪恶自食恶果 黑色幽默般的嘲讽
1h33m拖延症字幕组，富婆可真自作孽啊，引狼入室，反转的挺好的，富婆为了钱杀了即将跟自己离婚的丈夫，男主趁虚而入占据富婆的心，带着自己小青梅霸占富婆的家，联合叔叔骗走富婆的财产，却没想到富婆是杀人凶手没有继承权，竹篮打水一场空，男主跟青梅得意忘形出车祸身亡。